Collision 3 1/2

“This timelapse is a compilation of shots taken over the span of 6 months. It’s an ode to my development as a filmmaker in the past 3 1/2 years. It’s a night and day comparison to just a few years ago when I barely knew how to work a camcorder. The collision part comes in December when I graduate. I do not know what is in store for me, but I’m confident that I will continue to do what I love best.

This is a tribute to those who believed in me even during tough times. To my friends and family, I cannot thank you for your moral and financial support. My dreams would not fully be realized without you.

Many months ago I told my friend and collaborator Luke Wieting that I would be doing a timelapse piece so he ambitiously composed a score to supplement the visuals. He his a masterfully talented composer and I’m glad to know him as a close friend and filmmaker. Featured in the music is Stephanie Young who makes the piece come alive with an emotionally charged violin performance.”

Beautiful – Never Satisfied: The Rent Is Too Damn High

“I have explored the idea of shooting time-lapse with a long time friend and talented artist who operates under the alias of NEVER (aka Never Satisfied) in Atlanta, Georgia. Never has been out of commission recently due to knee surgery followed by a nasty staph infection. While only partially recovered, he agreed to shoot for the time-lapse challenge. The artwork is titled “The rent is too damn high” and features a begging owl with droopy, drug induced eyes (prescribed pain killers). The inspiration for this creature came as a result of Never being in so much suffering due to his knee surgery along with his recent apartment hunting in NYC where he will be relocating later this month.

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Compressed 02

“I combined everyday soap bubbles with exotic ferrofluid liquid to create an eerie tale, using macro lenses and time lapse techniques. Black ferrofluid and dye race through bubble structures, drawn through by the invisible forces of capillary action and magnetism.

Time-lapse sequences: Nikon D90, Nikkor 60mm macro lens and custom built intervalometer.
Motion-control: Arduino driven scanner platform and mirror rigs
Score: Ableton Live”

Electric New York (Timelapse)

“After a recent visit to New York and some timelapse work there, I decided, on a return visit to make a New York timelapse that I felt truly for me, anyway, represented the pulsating, electric vibe of NYC – ‘ELECTRIC NEW YORK’ was born.

On a day job trip to New York, I made sure I got a hotel with a view of Times Square: ‘Park Central’, New York. With the help of a Lenskirt (lenskirt.com) which I had delivered direct to the hotel (thanks again Aaron!) I was able to get the shots at 1:281:381:49and 2:54 through my hotel window. Impossible without the Lenskirt – I know from bitter experience because I’ve had to drop shots in the past because of reflections.

All images were photographed using the technicolor ‘cinestyle’ picture profile (see the ungraded Flickr pictures below for the untreated images if you’re interested in the before look of this picture profile). The technicolor profile shoots a very flat image, and technicolor’s LUT can be applied in post. Since I edited this entire timelapse project in the 64-bit Avid Media Composer 6, this was not possible (since MC cannot import the LUT, unlike Avid DS), so I simply applied an ‘S’ curve in the master curves and made use of spot colour correction on many of the images to super saturate them in a way I personally feel represents what I had in mind when I conceived of this project.

On visting NYC, I felt the cars/taxis/busses/bikes were like electricity pulsating through the streets at the speed of light. So, in pre-planning I decided to use slightly longer shutter drags than in previous timelapses, as I knew this would give me the streaking, ‘electricity’ of light being painted in each frame by the car head and tail lights.

I had only 3 short nights to complete this project, 14th, 15th and 16th February 2012. It rained all evening on the last night, which has given me some nice shots, but meant trying to set up the camera in one hand and hold an umbrella over the lens with the other in the wind and rain. Without anyone to assist, this was severely taxing. Hats off to all ‘lone timelapsers out there’!

The music used in the piece is by a German band called ’7oop3d’. You can check out their other awesome work on their website here: 7oop3d.com/unmute/ Thanks guys!”